鎏金工艺是我国古代器物装饰的一种特种工艺,是将金和水银合成金汞剂,涂在铜器表面,然后加热使水银蒸发,而金则附着于器表不脱落。“黄白涂”、“金银涂”等表明汉代对于鎏金银工艺的称谓,鎏金铜器发展到汉代已呈数量多、种类广的趋势,不仅局部鎏金,还多见整体鎏金。陈直先生在《两汉经济史料论丛》中关于金矿一章中便指出“现在汉宫遗址所发现的宫禁服用器物,无不塗金”,满城汉墓所出铜壶、盆、勺、炉等颇多鎏金之器,乃至铜剑也存在刃部鎏金的情况。可见鎏金工艺作为春秋战国时期青铜器铸造工艺的延伸,至汉代已较发达。而相较于鎏金铜器,鎏金透光铜镜的发现显得数量极少。

The gilding process is a kind of special craft for the decoration of ancient utensils in our country. It is to synthesize gold and mercury to coat the surface of the bronze ware, and then heat the mercury to evaporate, while the gold is attached to the surface of the ware and does not fall off. "Huangbai besmear", "gold and silver besmear" wait to show han dynasty to the appellation of craft of fine gold and silver, fine gold bronze ware developed to han dynasty already showed the trend with much, kind wide quantity, not only local fine gold, still see whole fine gold more. Mr. Chen Zhi pointed out in the chapter on gold mine in the Collection of Economic and Historical Materials of the Han Dynasty that "all the utensils banned by the palace found in the ruins of the Han Dynasty are coated with gold", and there are many gilded utensils such as copper POTS, basins, spoons and furnaces found in the tombs of the Han Dynasty in the city of Mancheng, and even the blade of the copper sword is gilded. It can be seen that the gilding technology, as an extension of the bronze casting technology in the Spring and Autumn Period and the Warring States Period, was developed in the Han Dynasty. Compared with the gilded bronze wares, the number of gilded bronze mirrors is very small.

此鎏金透光铜镜直径21cm。整个铜镜布局清新明朗,流畅华丽,自由活泼,浮雕技法,生气充沛,柔美自然,实为不可多得的藏品,具有极高的收藏价值。其在历经了多年岁月沧桑之后依然保存完好,包浆自然,隐约的锈迹更为其增添了许多历史风韵,背部的圆形凸起之处,光滑自然,浑然天成,仿佛整面铜镜的点睛之笔,让其更加增添了立体雕塑感,实在是巧妙!鎏金铜镜主纹为高浮雕纹刻。此镜铸造极为精细,镜身鎏金,镜钮上嵌有金丝,细节之处将其艺术造诣表现得淋漓精致,十分具有鉴赏研究价值,升值空间巨大。

The diameter of the gilded bronze mirror is 28cm. The whole bronze mirror layout is fresh and bright, fluent and gorgeous, free and lively, relief techniques, energetic, soft and natural, it is a rare collection, with a high collection value. It is still well preserved after many years of vicissitudes of life. The paste is natural, and the faint rust adds a lot of historical charm to it. The circular projection on the back is smooth, natural and natural, just like the finishing touch of the whole copper mirror, which adds a sense of three-dimensional sculpture to it. The main pattern of gilt mirror is high relief pattern. This mirror casting is very fine, gilt on the mirror body, the mirror button is embedded with gold wire, the details of the artistic attainments of the performance is exquisite, very has the value of appreciation and research, appreciation space is huge.

鎏金透光铜镜的形式随着时代的发展而有所变化,汉代时期有博局纹镜和四乳神兽纹镜,主要集中在前者,鎏金的范围主要在镜背纹饰区域,有的甚至在外圈部分未见鎏金,如浙江义乌的神兽纹镜。六朝时期的鎏金铜镜则鎏金范围扩大,往往除镜面部分外其余均鎏金,钮及缘侧还会嵌错金饰,如鄂城镜,舒城镜,泰州镜等。

The form of gilt bronze mirror as the development of times and change somewhat, han dynasty period has mirror of rich bureau grain and mirror of beast grain of 4 milk god, basically concentrate in former, the range of gilt basically is in mirror back grain act the role of an area, some did not see gilt even in outer ring part, be like mirror of god beast grain of zhejiang yiwu. The scope of the gilded bronze mirror of the six dynasties is expanded, often gilded except the mirror part, the button and the edge side will be inlay wrong gold ornaments, such as e cheng mirror, shu cheng mirror, taizhou mirror. The mutual agreement that gilt bronze mirror general material and grain act the

鎏金铜镜一般材质和纹饰的相互一致,强调了当时封建主义皇帝一统天下的社会思想。因此,保存至今的鎏金铜镜具有很高的历史研究价值,得到了众多收藏爱好者的青睐。

stressed the social thought that feudalism emperor unified the world at that time. Accordingly, the gilt bronze mirror that preserves up to now has very high historical research value, got the favor of numerous collect lover.

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